Somewhere
between abstraction and non-objective imagery, my art deals with
the relationship between opposites and the ambiguity that accompanies
this relationship. When I work, there's a balancing game between
random acts of painting and carefully planned decisions.
I'm interested in the tension created by combinations like inviting
and menacing, vast and intimate, inside and outside, the personal
and the collective. I'm also concerned with pure, non-objective
imagery confronted by the desire for a reference point, such as
an horizon line or the presence of scale.
Some of my work during the last year has been my response to the
Election of 2000 and the current Supreme Court.
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