STATEMENT

Most of the time I paint while listening to contemporary music of a repetitive nature. This background music has an undeniably dynamic effect upon me.

The relationship between music and painting is clear because we call into play rhythms, vibrations, different tonalities, elements of form and matter in which we may find a reference for creating structure within space.

As music evolves in time, I must work within two dimensions, and I must make choices in dividing the field of vision; in creating rhythms that I find the most appropriate at the moment.

But the medium is sometimes insufficient, and I am compelled to seek out extensions in the form of diptychs and triptychs to improve the portrayal of infinite continuity and movement…

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